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Super vivid orangish-red tone. Perfect mid tone when mixing into the warm colors. Goes in easy.
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Super vivid orangish-red tone. Perfect mid tone when mixing into the warm colors. Goes in easy.
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The blue tone of the pastels. Made to be a great choice to lighten blue tones or a soft background tone.
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The blue tone of the pastels. Made to be a great choice to lighten blue tones or a soft background tone.
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Extra deep dark blue. Appears as a concentrate in the bottle, but more on the purple side.
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Extra deep dark blue. Appears as a concentrate in the bottle, but more on the purple side.
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A nice solid brown tone that has tons of uses. Can be lightened with colors such as “White”.
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A nice solid brown tone that has tons of uses. Can be lightened with colors such as “White”.
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Solid rich lighter orangish-brown. Another good tone for neutral brown tones and portraits.
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Solid rich lighter orangish-brown. Another good tone for neutral brown tones and portraits.
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A good deep flesh tone base. Works great with tons of other tones to achieve rich flesh colors.
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A good deep flesh tone base. Works great with tons of other tones to achieve rich flesh colors.
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A deep solid dark magenta tone. Super easy to put in and stays rich. A pure concentrate tone.
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A deep solid dark magenta tone. Super easy to put in and stays rich. A pure concentrate tone.
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This is a very dirty brownish-green olive tone. Works great to tint “Hot Mustard” or other light tones.
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This is a very dirty brownish-green olive tone. Works great to tint “Hot Mustard” or other light tones.
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A rich solid medium blue-grey tone with a slight purple hint. Works great with both color families.
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A rich solid medium blue-grey tone with a slight purple hint. Works great with both color families.
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Ultra bright rich pink. Can be used to lighten “Power Purple” or stand alone for a super solid pink tone.
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Ultra bright rich pink. Can be used to lighten “Power Purple” or stand alone for a super solid pink tone.
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The very darkest of the flesh tone set and is a solid rich brown but works great to shadow areas.
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The very darkest of the flesh tone set and is a solid rich brown but works great to shadow areas.
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This is the next step up in the flesh tone set. As they go you’ll notice more of an orange base.
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This is the next step up in the flesh tone set. As they go you’ll notice more of an orange base.
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This super soft blue-green tone is nice and muted. Makes a good tone to mix with or without background.
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This super soft blue-green tone is nice and muted. Makes a good tone to mix with or without background.
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A super rich bright green tone. Stays just as bright in the skin. Works well with yellow tones.
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A super rich bright green tone. Stays just as bright in the skin. Works well with yellow tones.
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A bright orangish-yellow tone. Works as a good break down tone to browns and oranges as well.
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A bright orangish-yellow tone. Works as a good break down tone to browns and oranges as well.
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A nice light brownish-yellow tone. The white base makes this an excellent break down color.
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A nice light brownish-yellow tone. The white base makes this an excellent break down color.
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Perfect organic background color especially when mixing with “Frost”, “Key Lime” or “Organic Green”.
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Perfect organic background color especially when mixing with “Frost”, “Key Lime” or “Organic Green”.
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A super rich solid blue tone. An extra vibrant tone that can be manipulated with blues or whites.
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A super rich solid blue tone. An extra vibrant tone that can be manipulated with blues or whites.
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A dense super dark blue-grey with a hint of purple making it super versatile as a base tone.
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A dense super dark blue-grey with a hint of purple making it super versatile as a base tone.
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A soft light green tone that makes a great choice to use in the green tones to soften them.
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A soft light green tone that makes a great choice to use in the green tones to soften them.
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A rich vibrant bright green tone. Break it down with “Atomic Yellow” for a rich bright lime green tone.
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A rich vibrant bright green tone. Break it down with “Atomic Yellow” for a rich bright lime green tone.
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The yellow tone of the pastel family. Makes a great option to lighten warmer colors like reds, oranges, and yellows.
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The yellow tone of the pastel family. Makes a great option to lighten warmer colors like reds, oranges, and yellows.
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The name says it, a good lighter flesh tone to compliment “Dark Flesh” for color portraits.
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The name says it, a good lighter flesh tone to compliment “Dark Flesh” for color portraits.
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Good solid rich magenta tone. Great when used with “Dark Magenta” or can be lightened to suit.
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Good solid rich magenta tone. Great when used with “Dark Magenta” or can be lightened to suit.
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A deeper version of “Purple Heart”. Easy to apply and the grey base makes it great for mixing.
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A deeper version of “Purple Heart”. Easy to apply and the grey base makes it great for mixing.
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A solid neutral greyish brown. A good muted tone that can be used to dull down tones of colors.
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A solid neutral greyish brown. A good muted tone that can be used to dull down tones of colors.
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A thinner creamy light yellow tone that is really white based and can be used to lighten colors.
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A thinner creamy light yellow tone that is really white based and can be used to lighten colors.
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A deeper brownish-green. The low value of this color makes it great to use in duller pieces.
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A deeper brownish-green. The low value of this color makes it great to use in duller pieces.
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Muted blue looks like it sounds. Deep dense blue makes the perfect choice to use besides black.
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Muted blue looks like it sounds. Deep dense blue makes the perfect choice to use besides black.
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Darker than “G.I. Green”. Really deep tone and as “Muted Blue” makes a good deep choice for base.
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Darker than “G.I. Green”. Really deep tone and as “Muted Blue” makes a good deep choice for base.
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This tone is like the deepest tone of ochre. Makes a great color when cut with “Light Opaque Grey”.
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This tone is like the deepest tone of ochre. Makes a great color when cut with “Light Opaque Grey”.
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Not brown, not maroon, not purple, not black based, but works perfectly with all four. A very versatile color.
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Not brown, not maroon, not purple, not black based, but works perfectly with all four. A very versatile color.
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More velvet deep ochre. Goes in well and makes a great transition color for yellows and greens.
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More velvet deep ochre. Goes in well and makes a great transition color for yellows and greens.
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This tone is slightly lighter than extra dark. Still rich in the skin. Great base for backgrounds.
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This tone is slightly lighter than extra dark. Still rich in the skin. Great base for backgrounds.
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The lightest of the opaque set, almost light enough to be used as highlights but stays rich.
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The lightest of the opaque set, almost light enough to be used as highlights but stays rich.
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A super smooth light blueish-grey. Appears light in the bottle but goes in easy and stays solid.
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A super smooth light blueish-grey. Appears light in the bottle but goes in easy and stays solid.
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A great medium blueish-grey tone. Works with the opaque set of mixed with various grey tones.
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A great medium blueish-grey tone. Works with the opaque set of mixed with various grey tones.
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This is more of a pink-orangish tone that breaks down great with “Muted Red”, “Brick Red” into “Pumpkin Spice”.
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This is more of a pink-orangish tone that breaks down great with “Muted Red”, “Brick Red” into “Pumpkin Spice”.
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Super soft light pink tone makes a great breakdown tone for anything in the red-pink families.
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Super soft light pink tone makes a great breakdown tone for anything in the red-pink families.
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This black is super dense and stays solid. A pure concentrate tone. Not for lining or using uncut.
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This black is super dense and stays solid. A pure concentrate tone. Not for lining or using uncut.
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This blue is super dark and rich. It can be used to darken tones. A pure concentrate tone. Not for lining or using uncut.
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This blue is super dark and rich. It can be used to darken tones. A pure concentrate tone. Not for lining or using uncut.
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This tone is a great deep base for any green tones. A pure concentrate tone. Not for lining or using uncut.
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This tone is a great deep base for any green tones. A pure concentrate tone. Not for lining or using uncut.
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Last but not least in the power tones is power purple. A pure concentrate tone. Not for lining or using uncut.
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Last but not least in the power tones is power purple. A pure concentrate tone. Not for lining or using uncut.
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This is a great lighter purple tone. Being a super bright and vibrant tone makes it a go to color.
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This is a great lighter purple tone. Being a super bright and vibrant tone makes it a go to color.
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A mild orange-yellow. Makes a great choice to use with yellows instead of straight orange.
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A mild orange-yellow. Makes a great choice to use with yellows instead of straight orange.
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A grey form of a lighter turquoise or teal. Can be saturated but still heals nice and soft.
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A grey form of a lighter turquoise or teal. Can be saturated but still heals nice and soft.
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A really vibrant rich pink tone that is a go to for many artists. Deepens great with “Power Black”.
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A really vibrant rich pink tone that is a go to for many artists. Deepens great with “Power Black”.
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A lighter version of “Cool Mint” that can be used to lighten greens or anything in the minty green family.
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A lighter version of “Cool Mint” that can be used to lighten greens or anything in the minty green family.
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This color is a great option in the blue-green family. Works as a great mid tone and is versatile.
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This color is a great option in the blue-green family. Works as a great mid tone and is versatile.
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A really rich pinkish-orange red. Stays super solid and makes a great bridge between reds.
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A really rich pinkish-orange red. Stays super solid and makes a great bridge between reds.
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A beautiful velvet like deeper brown tone that can go towards purples, greys or brown tones alike.
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A beautiful velvet like deeper brown tone that can go towards purples, greys or brown tones alike.
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A heavy yellowish-brown that is a smooth transition from brown down to mixing yellow. Very versatile.
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A heavy yellowish-brown that is a smooth transition from brown down to mixing yellow. Very versatile.
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Quickly becoming a fan favorite. Can smoothly blend from orange tones to “Tangelo”. Very vivid.
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Quickly becoming a fan favorite. Can smoothly blend from orange tones to “Tangelo”. Very vivid.
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True to its name, very similar to the tone of “Terra Cotta”. Breaks down great with lighter and bright colors.
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True to its name, very similar to the tone of “Terra Cotta”. Breaks down great with lighter and bright colors.
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Commonly becoming the most popular red due to its rich solid tone. Slightly deeper than “Really Red”.
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Commonly becoming the most popular red due to its rich solid tone. Slightly deeper than “Really Red”.
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A great rich blueish-green that has tons of uses and can be darkened or lightened to fit the project.
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A great rich blueish-green that has tons of uses and can be darkened or lightened to fit the project.
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A super deep base for “Turquoise” or can be broke down with “White” for a desired tone. Not for lining or using uncut.
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A super deep base for “Turquoise” or can be broke down with “White” for a desired tone. Not for lining or using uncut.
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Super solid rich reddish-purple with a hint of pink. Strong enough to stand alone or use to mix.
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Super solid rich reddish-purple with a hint of pink. Strong enough to stand alone or use to mix.
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The brightest white out there, goes in easily and stays solid. Used to lighten colors or create rich highlights.
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The brightest white out there, goes in easily and stays solid. Used to lighten colors or create rich highlights.
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A heavy yellow that can stand on its own and heals yellow or great to deepen “Atomic Yellow”.
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A heavy yellow that can stand on its own and heals yellow or great to deepen “Atomic Yellow”.
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A bright slightly brownish yellow. Makes a great break down tone to darker browns and oranges.
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A bright slightly brownish yellow. Makes a great break down tone to darker browns and oranges.
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