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Really deep turquoise tone. Great base tone.
Nice deep brownish-green tone.
Super vivid lime green.
Bright blue with a neutral grey undertone.
A good muted soft brownish green. Break with white for a soft minty muted green.
Sea foam greenish-blue tone.
The brightest yellow made. Extra vibrant, easy to apply and stays solid.
Muted purple. A deep violet with a hint of grey.
Rich orange that is more on the brown side. In the ochre tones.
Ben Kaye’s Banoffee – 1oz by Fusion.
Ben Kaye’s Banoffee – 2oz by Fusion.
A thinner black that works great for outlining and darkening tones.
Really bright blue with a hint of aqua tones.
Solid rich dark blue tone.
Muted deep magenta tone.
Super dark purple with a hint of blue undertone.
Super vivid orangish-red tone. Perfect mid tone when mixing into the warm colors. Goes in easy.
Nice deep red. Richer merlot or burgundy feel.
Intensely vivid blue tone. Heals as bright as it looks.
The blue tone of the pastels. Made to be a great choice to lighten blue tones or a soft background tone.
A softer light blue. Great break down tone for deeper blue tones.
Deep slate blue tone. Best with blues and greys.
Extra deep dark blue. Appears as a concentrate in the bottle, but more on the purple side.
Creamy pink flesh tone more on the warm side.
Bolo’s Smooth Gray Formula, Dark.
Bolo’s Smooth Gray Formula, Extra Dark.
Bolo’s Smooth Gray Formula, Extra Light.
Bolo’s Smooth Gray Formula, Light.
Bolo’s Smooth Gray Formula, Medium.
Deep solid gray tone, can be darkened or lightened to suit.
Creamy pale flesh tone.
A dark solid rich red. Great tone that can be used to deepen lighter reds.
A nice solid brown tone that has tons of uses. Can be lightened with colors such as “White”.
Rich, deep plum tone.
The name says it all. Super bright rich pink. One of the tones that is a must have.
Deep reddish-brown. Great for darkening tones without the use of black or deeper tones.
Ben Kaye’s Burnt Caramel – 1oz by Fusion.
Ben Kaye’s Burnt Caramel – 2oz by Fusion.
A darker orangish-brown. A great tone for the rustic neutral palettes.
Solid rich lighter orangish-brown. Another good tone for neutral brown tones and portraits.
Vivid lighter pinkish-orange. Great break down tone for flesh tone pieces.
Creamy orange tone. Great for mixing and breaking.
Deep slate tone. Dark grey with a hint of blue.
Nice bright minty blue. Can be used as an alternative break down tone for darker tones.
A great natural sandy brown tone.
A softer greyish light blue. Good lighter tone in the blue family.
Super rich cornflower blue.
Rich red tone. Great color to have with the other reds.
Ben Kaye’s Dark Blue – 1oz by Fusion.
Ben Kaye’s Dark Blue – 2oz by Fusion.
A good deep flesh tone base. Works great with tons of other tones to achieve rich flesh colors.
A deep solid dark magenta tone. Super easy to put in and stays rich. A pure concentrate tone.
Ben Kaye’s Dark Matter – 1oz by Fusion.
Ben Kaye’s Dark Matter – 2oz by Fusion.
This is a very dirty brownish-green olive tone. Works great to tint “Hot Mustard” or other light tones.
Almost a dark wine tone. This red tone has a purple undertone too. Great for lining.
Deep sea foam tone with a hint of gray.
Nice rich blue tone. More of a deep turquoise.
Rich warm brown tone. A milk chocolate tone.
Deep rich dark blue tone, A pure concentrate tone.
A dark rich deep purple tone. Breaks down great with “White” to achieve various purples.
Ben Kaye’s Dirty Orange – 1oz by Fusion.
Ben Kaye’s Dirty Orange – 2oz by Fusion.
Evan Olin’s Dusk – 1oz by Fusion.
Evan Olin’s Dusk – 2oz by Fusion.
Rich solid true brown color. Goes in super easy.
A vivid rich green tone that leans towards the blue and turquoise families.
Evan Olin’s Espresso – 1oz by Fusion.
Evan Olin’s Espresso – 2oz by Fusion.
A rich solid medium blue-grey tone with a slight purple hint. Works great with both color families.
Creamy super bright orange tone.
Ultra bright rich pink. Can be used to lighten “Power Purple” or stand alone for a super solid pink tone.
In this tone the browns start overpowering the oranges for darker areas of flesh tattoos.
The very darkest of the flesh tone set and is a solid rich brown but works great to shadow areas.
The lightest tone in the complete flesh tone set. A super mild, light flesh.
This is the next step up in the flesh tone set. As they go you’ll notice more of an orange base.
In this tone the orangeish-brown tones become more apparent but not overpowering.
Deep dark green with a deep brown undertone.
A light creamy flesh tone. A great break down tone for any color family.
This super soft blue-green tone is nice and muted. Makes a good tone to mix with or without background.
A muted soft pinkish-purple tone. Great to use in both pink and purple tones.
More of a neutral dark brownish-green tone.
A super rich bright green tone. Stays just as bright in the skin. Works well with yellow tones.
A bright orangish-yellow tone. Works as a good break down tone to browns and oranges as well.
Evan Olin’s Green Machine – 1oz by Fusion.
Evan Olin’s Green Machine – 2oz by Fusion.
A rich deep muted brownish tone. Works as a great base tone for a variety of colors.
Ben Kaye’s Honey Gold – 1oz by Fusion.
Ben Kaye’s Honey Gold – 2oz by Fusion.
A nice light brownish-yellow tone. The white base makes this an excellent break down color.
Perfect organic background color especially when mixing with “Frost”, “Key Lime” or “Organic Green”.
A super rich solid blue tone. An extra vibrant tone that can be manipulated with blues or whites.
A dense super dark blue-grey with a hint of purple making it super versatile as a base tone.
Ben Kaye’s Jade – 1oz by Fusion.
Ben Kaye’s Jade – 2oz by Fusion.
A soft light green tone that makes a great choice to use in the green tones to soften them.
A rich vibrant bright green tone. Break it down with “Atomic Yellow” for a rich bright lime green tone.
The yellow tone of the pastel family. Makes a great option to lighten warmer colors like reds, oranges, and yellows.
A solid rich light blue tone. Another must have that comes in the sample set.
The name says it, a good lighter flesh tone to compliment “Dark Flesh” for color portraits.
Light peachy flesh tone color.
Bright neutral muted pink tone.
A light whiteish-violet tone that breaks tone purple tones like a dream.
Good solid rich magenta tone. Great when used with “Dark Magenta” or can be lightened to suit.
A deeper version of “Purple Heart”. Easy to apply and the grey base makes it great for mixing.
The most vibrant orange made. Easy to apply and stays just as bright.
A solid neutral greyish brown. A good muted tone that can be used to dull down tones of colors.
A super rich orangish-red. Can be used to lighten deeper red tones or lightened to suit.
Super deep blue with a hint of purple undertone.
A thinner white tone that is primarily used to break colors down.
A thinner creamy light yellow tone that is really white based and can be used to lighten colors.
Soft purpleish-blue color that is good for mixing.
A deeper brownish-green. The low value of this color makes it great to use in duller pieces.
Muted blue looks like it sounds. Deep dense blue makes the perfect choice to use besides black.
Darker than “G.I. Green”. Really deep tone and as “Muted Blue” makes a good deep choice for base.
This tone is like the deepest tone of ochre. Makes a great color when cut with “Light Opaque Grey”.
Not brown, not maroon, not purple, not black based, but works perfectly with all four. A very versatile color.
More velvet deep ochre. Goes in well and makes a great transition color for yellows and greens.
Bright pinkish-red tone.
This yellow is beyond neon. Super bright and works great to lighten green tones.
An orangeish-yellow tone that mixes great and stays.
This tone is slightly lighter than extra dark. Still rich in the skin. Great base for backgrounds.
The darkest of the opaque blue set. Rich and bright but still being a natural deep blue.
The lightest of the opaque set, almost light enough to be used as highlights but stays rich.
A super smooth light blueish-grey. Appears light in the bottle but goes in easy and stays solid.
A great medium blueish-grey tone. Works with the opaque set of mixed with various grey tones.
Deeper gray of the set.
Super deep rich dark gray. Almost a black deep gray.
The lightest tone in the gray set. This tone is almost white.
The next tone is darker, slightly more gray but still light.
The mid tone of the gray set. More of a true gray.
A true vivid orange, stays rich and solid in the skin. Lightens tones in the red family.
Light mossy green tone. A soft breakdown tone.
This is more of a pink-orangish tone that breaks down great with “Muted Red”, “Brick Red” into “Pumpkin Spice”.
Super soft light pink tone makes a great breakdown tone for anything in the red-pink families.
Ben Kaye’s Pearl – 1oz by Fusion.
Ben Kaye’s Pearl – 2oz by Fusion.
This bright blue tone has a hint of grey, making it a great choice for various uses.
A rich deeper minty green tone.
This rich red tone has a bit of a bright plum feel to it.
This black is super dense and stays solid. A pure concentrate tone. Not for lining or using uncut.
This blue is super dark and rich. It can be used to darken tones. A pure concentrate tone. Not for lining or using uncut.
This deep brown tone is another must have staple. A super versatile tone.
This tone is a great deep base for any green tones. A pure concentrate tone. Not for lining or using uncut.
Last but not least in the power tones is power purple. A pure concentrate tone. Not for lining or using uncut.
This is a great lighter purple tone. Being a super bright and vibrant tone makes it a go to color.
This violet tone has a greyish-pink undertone that makes it a good alternative tone.
Muted magenta with a hint of lavender.
A mild orange-yellow. Makes a great choice to use with yellows instead of straight orange.
Evan Olin’s Purple Haze – 1oz by Fusion.
Evan Olin’s Purple Haze – 2oz by Fusion.
This purple is a good muted grey purple. Breaks down great with any grey tones.
Rich and bright pink with a hint of purple tone.
Nice bright orangish-brown. Makes a great companion to “Burnt Sienna”.
This is the go to bright red. Can be darkened or lightened as desired.
Really rich redish-magenta color.
A grey form of a lighter turquoise or teal. Can be saturated but still heals nice and soft.
Evan Olin’s Rosey Cheeks – 1oz by Fusion.
Evan Olin’s Rosey Cheeks – 2oz by Fusion.
Ben Kaye’s Rogue – 1oz by Fusion.
Ben Kaye’s Rouge – 2oz by Fusion.
This royal blue is a rich solid blue tone. Makes a great break down for lighter tones.
Ben Kaye’s Ruby Wine – 1oz by Fusion.
Ben Kaye’s Ruby Wine – 2oz by Fusion.
A super soft bone color. Amazing for lightening almost any color.
A really vibrant rich pink tone that is a go to for many artists. Deepens great with “Power Black”.
Bright purpleish-blue tone.
Almost like “Tangelo” but more on the pink side if you’re going that direction.
Rich plum purple with a hint of reds.
Really rich deep brown tone with a hint of purple.
Evan Olin’s Shadow Core – 1oz by Fusion.
Evan Olin’s Shadow Core – 2oz by Fusion.
Super solid green that goes in just as it appears. Goes in very easy and heals bright.
Solid medium grayish-blue tone.
Dark cocoa brown with a hint of purple.
Great neutral gray tone. Good base to lighten.
Light slate blue tone. More on the white side.
Bright brownish-yellow with a slight green hint.
A lighter version of “Cool Mint” that can be used to lighten greens or anything in the minty green family.
Super bright yellow with a hint of gold tone.
Very vivid teal tone. Very bright and stays true to its color when lightened with white.
A more muted solid green tone that makes a great alternative for breaking down greens.
Dark gray blue color.
Medium-dark cool french grey tone.
Evan Olin’s Storm Shadow – 1oz by Fusion.
Evan Olin’s Storm Shadow – 2oz by Fusion.
Evan Olin’s Sun Kissed – 1oz by Fusion.
Evan Olin’s Sun Kissed – 2oz by Fusion.
Most vibrant red made. Super vibrant in the skin.
This color is a great option in the blue-green family. Works as a great mid tone and is versatile.
A really rich pinkish-orange red. Stays super solid and makes a great bridge between reds.
A beautiful velvet like deeper brown tone that can go towards purples, greys or brown tones alike.
A heavy yellowish-brown that is a smooth transition from brown down to mixing yellow. Very versatile.
Quickly becoming a fan favorite. Can smoothly blend from orange tones to “Tangelo”. Very vivid.
True to its name, very similar to the tone of “Terra Cotta”. Breaks down great with lighter and bright colors.
Deeper grayish-blue tone to compliment “Shark Skin”.
Commonly becoming the most popular red due to its rich solid tone. Slightly deeper than “Really Red”.
Solid true bright medium purple tone.
A great rich blueish-green that has tons of uses and can be darkened or lightened to fit the project.
A super deep base for “Turquoise” or can be broke down with “White” for a desired tone. Not for lining or using uncut.
Super solid rich reddish-purple with a hint of pink. Strong enough to stand alone or use to mix.
Solid black. Thinner than “Power Black” but still solid.
Evan Olin’s Warm Skin – 1oz by Fusion.
Evan Olin’s Warm Skin – 2oz by Fusion.
Dark warm mustard tone with a brown hint.
The brightest white out there, goes in easily and stays solid. Used to lighten colors or create rich highlights.
A good muted blueish-purple tone that has tons of uses in the blue to purple families.
A heavy yellow that can stand on its own and heals yellow or great to deepen “Atomic Yellow”.
A bright slightly brownish yellow. Makes a great break down tone to darker browns and oranges.
Evan Olin’s Zombie Gray – 1oz by Fusion.
Evan Olin’s Zombie Gray – 2oz by Fusion.
